Thunderbolt, USB, HDX and MADI audio interfaces. Needless to say Goliath HD is armed with the full Antelope Audio arsenal of hardware-based FPGA FX. These include the most authentic and realistic zero latency Vintage EQs, Compressors and guitar amp & cabinet models on the market. Use them for real time tracking or mixing and easily save presets with your favorite setups. Those can be easily recalled or shared with other studio facilities, which are also part of the global Antelope Audio family. Goliath HD is a 64-Channel interface that can be used with Pro Tools HD or Native DAWs via second generation ThunderboltTM, USB 3. 0 or via 2 MADI connections, which are compatible with MADI to Dante Bridge products. Coming with extensive I/O options, featuring 16 Accusonic mic preamps with individual volume controls, 32 analog ins with 124dB of Dynamic Range, 32 analog outs with 129dB of Dynamic Range, plus mastering grade monitor outputs, featuring new technology that boosts dynamic range to a spectacular 132dB. Goliath HD comes with 8 instrument inputs, 2 transformer re-amp outs, integrated Talkback mic, 2 headphone outs and a pair of analog inserts. And if this wasn’t enough, the descendant of the mighty Goliath offers also AES, MADI, ADAT and S/PDIF connectivity. FPGA offers a whole new level of real time performance and sonic excellence. The platform is taking advantage of real hardware circuitry and component modeling, allowing engineers to track a vocalist with a zero latency headphone mix, including reverb; record a guitar part with proper feel & tone, using onboard amp and cabinet FX. Capturing a full drum kit is also brought to another level with up to 16 mics using the industry’s best new Microphone and Mic Preamp technology, all in realtime. The Antelope Audio Real-time FX, zero latency independent software mixers and routing matrix with two alternative views are the perfect compliment to Pro Tools HD studios, which have come to expect maximum power at their disposal. Goliath HD, however, is compatible with any DAW on the market making the device the heart and soul of the highest tier audio facilities around the world. Our newly introduced full Session Presets are the perfect match for the complex and large-scale setups and projects Goliath HD was designed to handle. Specifications: Analog Inputs: 2 × DB25 (16 channels total), +24dBu, 56 Ohms; 16 × Mic / Line on XLR combos; 4 × Hi-Z 1/4″” TRS; Analog Inserts: 2 × Inserts on 1/4″ TRS (dedicated for inputs 1, 2); Analog Outputs: 4 × DB25 (32 channels total), +24dBu, 56 Ohms; 1 × Stereo pair of Monitor outs on 1/4″” TRS; 2 × Stereo Headphone outs on 1/4″” TRS; 2 × ReAmp outs on 1/4” TRS; D/A Monitor Converter: Dynamic Range: 132dB; THD + N: -108dB; A/D Converter: Dynamic Range: 124 dB; THD + N: -112 dB; D/A Converters: Dynamic Range: 129 dB; THD + N: -120 dB; Mic Preamp: Gain: 0,10 – 65 dB; THD + N: -112 dB; Digital Inputs: 2 × ADAT (up to 16 channels), 1 × S/PDIF, 1 × AES/EBU (8 channels), 2 × MADI; Digital Outputs: 2 × ADAT (up to 16 channels), 1 × S/PDIF, 1 × AES/EBU, 2 x MADI; USB 3. 0 Super-Speed, Type B connector; Thunderbolt I/O: 1 x Thunderbolt Gen2; HDX: 2 x mini HDX connectors for direct Pro Tools connection, 32 Channels I/O each (total of 64 channels); Word Clock Input: 1 x Input @ 75 Ohms 3Vpp on BNC; Atomic Clock Input: 1 x 10M Input @ 75 Ohms 1Vpp on BNC; Word Clock Outputs: 2 x Outputs @ 75 Ohms 3Vpp on BNC; Clocking System: 4th Generation Acoustically Focused Clocking, 64-bit DDS, Oven Controlled Crystal Oscillator; Clock Stability: <+/-0. 02 ppm, oven controlled at 64. 5ºC/ 148. 1ºF; Clock Aging: < 1 ppm per year; Clock Calibration: < +/-0. 001 ppm; Sample Rates (kHz): 32, 44. 1, 48, 88. 2, 96, 176. 4, 192; Operating Temperature: 0-50°C, 32-122°F; Weight: 6. 8 kg/ 15 lbs (approx ), Dimensions (approx): 483 x 81 x 279 mm
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